Challenge 134
Chair Tears Box and Door
Change the pronunciation of the title by punctuating it.
In the current issue:
- Judging by the first installment alone, what is the irony in the title of Daniel Green’s “The Parasite Text”?
- Does Michael Lohr’s “Disposable Culture” have anything in common with Michael Murry’s war poems? (They’re listed in the year end retrospective.)
- Is Kenneth Nichol’s “No Tears for Death” dark comedy or tragedy? How might it be both at once?
- How do you think R D Larson’s “Slam the Door Softly” might end? Does the opening imply an ending?
- What is the dramatic function of the chair in Julian Lawler’s “Hunter of Wolves”?
Retrospectives:
- Leading question: Does Laurie Seidler’s “In the Box,” in issue 133, transgress the submissions guidelines on naughty words and scenes? Why might the editors not have thought so?
- Mark Ellestad’s “The Killer,” in issue 133, ends on the note that the show is a bad gig. Why is it?
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