At the Zoo
by Corey Mesler
— I never said that.
— You said something approximately like that.
— I never said that.
— What difference does it make?
— Well–
— I only want to know, if, you know, you see this as ongoing.
— Ongoing. That sounds so passionate.
— Passionately ongoing.
— Jeff, listen. I said, you know I said, that you and I were the best thing that’s ever happened to me.
— There’s a ‘but’ there somewhere.
— There isn’t. We are great together.
— You mean.
— That too. Yes. We clicked there, you know we did.
— Yes.
— For you, maybe, it was, I don’t know, usual.
— No.
— Usual as in I was certainly not the first.
— Well–
— Nor the twenty-first.
— But the last. You don’t want to be the last.
— Jeff. Yes. I think I want that.
— But– again ‘but’.
— No. Listen. There is that... that frisson when we’re together, you know.
— Yes.
— That lubricious – exciting – hungry— fleshly thing and the way you–
— Yes.
— Well, I mean, never before, for me, have I–
— Yes. I know.
— I didn’t even think I... you know.
— Yes.
— So that was great. That was... earth-shattering.
— Really?
— Yes. You know so.
— I didn’t–
— But–
— Right.
— No, listen. You opened me. That’s the expression. You opened me. On that level–
— A lower level.
— No, I don’t think so. Do you?
— No. No, I don’t.
— It is important. That level. It’s... paramount–
— Yes. I know.
— So – I mean – before you – I didn’t even know–
— Yes.
— So, please. This... misunderstanding–
— Is it? Is it only that?
— I think so.
— Okay.
— You... well, you’re–
— Okay.
— That... look, have you seen this exhibit before?
— No.
— It’s remarkable really.
— This is new.
— Yes. Just opened, I think.
— It is. I wasn’t even–
— Look. Look at the way she looks at us.
— It’s a bit unsettling.
— A bit.
— She... well, she could feed a large family with those.
— Ha... yes, look at that.
— They have babies here somewhere. Gyp told me.
— Really?
— Yeah, little ones.
— She looks like maybe she’s had some babies. She looks sad, really.
— Yes.
— She’s looking at you. She’s looking right at you.
— It’s... unsettling.
— Yes.
— She needs to move away from that... that pile–
— It’s dung.
— I know what it is.
— She’s staying close to it. You don’t think–
— I saw an orangutan once throw a piece at a little boy.
— Yeah, I’ve heard of that.
— She’s —
— She’s pretty in a way. Do you think so?
— I guess so. She has breasts... they’re almost too big.
— Yeah, I know that’s a turn-off.
— No, I mean. For her size. She’s got such little hips.
— Yeah, maybe she hasn’t had babies.
— She could have.
— She’s really looking at us.
— Help me.
— OH MY GOD!
— Please help me.
— SHE’S TALKING TO US!
— Listen to me. They put us in here. They... you’ve got to help us.
— GOD. This is freaking me out.
— Listen. Please. We are not wild. We... you have to tell someone.
— How did you–
— Don’t talk back to her.
— Why don’t we talk back to her?
— She’s... you idiot. You do like her big breasts. This is what—
— It’s not her breasts, Marcy. She’s talking to us.
— Please. Please.
— JESUS. Where are the–
— Please.
— I’m sorry—
— Jeff, you go ahead. You do what you think is best. This is what I’m talking about.
— Please.
— Marcy, we can’t just... walk away.
— We can. We most decidedly can. What do you think everyone else does?
— I don’t–
— Please. Listen to me.
— Don’t, Jeff. Don’t listen to her.
— But–
— You want to stay here and look and listen and think she means those big breasts for you go ahead.
— Marcy–
— Go ahead, Jeff. Look at her breasts and her... her... hair. That’s what she wants you to do. She’s... feral. She’s caged, Jeff.
— Marcy. I can’t–
— Please. Jeff.
— Oh, Jesus.
— Jeff, please. You’re a good man. Don’t–
— Marcy, I–
— Jeff, come on. She’s learned to use your name. Just go with me. Come on. There’s the bears. You like the bears.
— Marcy, should we–
— Jeff. Come on. Leave her alone. They will take care of her.
— Please. Please. Please.
— Don’t let her call you by name, Jeff. Come now.
— Okay. Okay, Marcy. I—
— Please. Please. Please.
Copyright © 2006 by Corey Mesler