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Bewildering Stories

Challenge 1082

Like Water Over a Troubled Bridge

  1. In Jeffrey Greene’s The Naked Face:

    1. How did the custom of anonymity — with masks and the avoidance of names — emerge in this alternate society?
    2. How might speakers — especially those of the same gender — be identified in dialogue without the use of names?
  2. In Patricia Ann Bowen’s This Just In...: The purchase of a book, especially, is a speculative venture when the work is as yet unfamiliar. Might a feature like Bewildering Stories’ excerpts suffice as an alternative to the “free thirty pages” rule?

  3. In Gary Clifton’s Hurricane Willie and the Swingers:

    1. The art of writing dialect does not consist in randomly misspelling words. What kinds of words are deformed, and in what ways?
    2. Explain Kratzert’s choice of relaxation, at the end, after the case has been concluded.
  4. In T. J. Young’s How to Massage a Deal: Why might Denton say that he is morally justified in diverting the scam from himself to his ex-wife? Would omitting any single quirk from the ex-wife’s description raise doubts? If she does accept the scam, can Denton say in all innocence that it’s not his fault?

  5. Charles C. Cole, The Day a Rabbit Crossed the Road: The rabbit was a squirrel in a previous draft. What might encourage the change?

  6. In Edward Ahern’s The Dog Whistle: A “dog whistle” is normally a summons that cannot be heard by humans. What justifies it as the title to this particular poem?

  7. In Robert Witmer’s The Rattle of Bones: Rolling Dice on a Burning Bridge:

    1. What does the title mean?
    2. “To mask or not to mask” could refer to a cultural conflict dating from the pandemic of 2020. What other conflicts does the poem refer to? How does the poem benefit by not identifying them explicitly?
    3. Who “whistles Dixie through twisted lips”?

  8. Responses welcome!

    date Copyright © March 3, 2025 by Bewildering Stories
    What is a Bewildering Stories Challenge?

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